EverNest colours

Colour, with a clean beginning.

Our palette begins with plants, bark, petals and time. Every shade is either left naturally undyed or developed from botanical sources, without synthetic dyes.

Gathered from natureMade slowly by handGentle on little skin

Meet the palette

Every hue carries its own origin.

Rather than treating colour as a finish, we begin with the material that brings it to life. The result is a quieter, more considered palette for everyday wear.

Cotton plant, the natural origin of Snow

01

Snow

Naturally undyed

Nothing added. Just the quiet, natural tone of the fabric itself.

Clitoria flowers, the botanical source for Ocean Mist

02

Ocean Mist

Clitoria flowers

A softened blue, drawn from the petals of Clitoria flowers.

White-barked Acacia, the botanical source for Sand

03

Sand

White-barked Acacia

An earthy neutral inspired by the gentle warmth of Acacia bark.

Acacia catechu, the botanical source for Pebble Grey

04

Pebble Grey

Acacia catechu

A grounded, weathered shade developed from Acacia catechu.

Tacoma and Clitoria flowers, the botanical source for Forest Dew

05

Forest Dew

Clitoria & Tacoma flowers

Botanical greens and blues meet in a calm, leafy hue.

Lilies and Annatto seeds, the botanical source for Warm Coral

06

Warm Coral

Lily flowers & Annatto seeds

A warm bloom of colour, built from petals and Annatto seeds.

07

Wildflower

Vembadam Bark

A tender violet tone with its roots in Vembadam Bark.

From plant to garment

How colour is drawn out.

Botanical colour develops slowly. Each stage is handled with care to keep the process gentle and the result true to its natural source.

Prepare the botanicals

Flowers, leaves, bark and seeds are selected and prepared for the colour-making process.

Draw out the pigment

The raw plant material is slowly worked into a dye bath, releasing the colour held within it.

Colour the cloth

The fabric takes on its shade gradually. Natural variation is expected, and makes each piece distinct.